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Kaelo Iyizoba on The Spectacular Death of Prisca and Why Nigerian Fantasy Does Not Need to Explain Itself
Kaelo Iyizoba’s The Spectacular Death of Prisca reaches TIFF with a Nigerian fantasy language that refuses to simplify…
Who Is Preserving Nollywood’s Memory Before Its Pioneers Are Gone?
Olu Jacobs’ death leaves Nigeria with more than a cultural loss. It exposes an urgent question about who…
Olu Jacobs Did More Than Play Kings. He Helped Nollywood Learn What a Professional Actor Could Be
Olu Jacobs did more than create memorable characters. Across British television, Nigerian theatre and Nollywood, he helped establish…
Ikenga: The Last Festival Has Crossed ₦75 Million. The Bigger Test Is Whether Indigenous-Language Cinema Can Become a Release Strategy
Ikenga: The Last Festival has crossed ₦75 million after setting an opening record for an Igbo-language film. The…
Adanne Is Moving From Kigali to London. Orobosa Ikponmwen’s Real Test Is Whether the Festival Route Produces Distribution
Orobosa Ikponmwen’s feature Adanne will screen at festivals in Kigali and London before a planned theatrical release. Its…
Damilola Orimogunje on Dear Ajayi, African Distribution and Why Quiet Films Still Need a Market
Damilola Orimogunje’s Dear Ajayi made Nigerian history at Venice Days. His public remarks reveal a filmmaker thinking as…
Call of My Life Has Reached ₦893 Million Without December. Nollywood’s Biggest Hits May No Longer Need the Holiday Corridor
Call of My Life has reached approximately ₦893 million after opening in May. RollCallAfrica examines what the run…
Daniel Oriahi Has Spent Eleven Years Moving Between Nollywood’s Market and Its Margins. Baba Segi May Be the Film Where They Meet
From Taxi Driver and Sylvia to The Weekend and Baba Segi, Daniel Oriahi has built a directing career…
Three Nigerian Films Opened on September 11. The Release Conversation Only Made Two of Them Visible
19, One Gidi Night and Invitation to Kill opened in Nigerian cinemas on September 11. Before box-office figures…